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The idea, thus early born, lay in oblivion until 1760, when the daguerreotype was again clearly indicated in a book published in Paris, written by a certain Tiphanie de la Roche, under the anagrammatic title of Giphantie.
The monument to his nurse, Tiphanie, at Saumur, was entrusted to Pons Poncet. After the death of Pons, the chief sculptor of the court was Jacques Moreau.
This worthy priest was named Nicolas de Houppeville, a doctor of theology, now in his sixty-fifth year. The next witness is John Tiphanie, a canon of the Sainte Chapelle of Paris. He was also a doctor in medicine. Tiphanie had been compelled much against his inclination to take part in the trial of Joan. He was one of the doctors who were sent to see her when she lay ill in prison.
Besides these were Emenyart, Fiexvet, Guerdon, Le Fèvre, Delachambre, and Tiphanie, all of whom, with the exception of the last two, who were doctors of medicine, were members of the University. As we have already stated, out of this vast crowd of ecclesiastics and a few laymen, only two Englishmen took part in the trial.
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