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Act II is a capitally arranged interior of the inn, with the wooden shoes of the servant maid clopping around, where the inevitable happens. Hanna Elias, accompanied by a young Russian girl whose German accent furnishes mild humour promptly swoops down on the anæmic painter. There is brief resistance on his part. She tells him she can't, can't live without him oh, thrice-familiar feminine music! and with a double sob that shakes you in your seat the pair embrace. Curtain. The next act is frittered away in talk, the principal object seemingly to show how much the sculptor hates Hanna. In Act IV Gabriel is ill. He has had a fall, but it is really a heart attack. A doctor, an old friend, is summoned from a neighbouring island. Unfortunately Mrs. Schilling, the neglected wife is informed by the not very tactful doctor that her husband is ill. She rushes up from Berlin, and the best, indeed the only, dramatic scene then ensues. She is not permitted to see the sick man. She demands the reason. She is naturally not told, for Hanna is nursing him. She can't understand, and it is the difficult task of Lucie Heil, the violinist, to get her away before the fat is in the fire. Unfortunately, at that critical moment, Hanna Elias walks calmly from Gabriel's sleeping chamber. The row is soon on. Hanna was enacted by an emotional actress, Tilla Durieux, whose personality is forthright, whose methods are natural. (Her Hedda Gabler is strong.) She dressed the character after the approved Friedrichstrasse style. You must know that the artistic Bohemienne wears her hair plastered at the sides of her head
"I never avowed myself the author of that pamphlet," said Kretschmer quickly. "But every one knows that you are, and you never denied it," replied Krause maliciously. "This 'Country Talk' is more than indiscreet, it is foolhardy. In it you nicknamed Maria Theresa, Aunt Tilla; the Elector of Saxony, Brother Osten; the Empress of Russia, Cousin Lizzy; and our king, Neighbor Flink.
He thereafter never failed to reach an elephant's heart with his third arrow, killed most with his second, and not a few with his first, a feat never equaled or approached by any other archer, for the killing of an elephant with five arrows by Tilla the Goth remains the best record ever made in the Colosseum by any other bowman.
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