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For February 16th, the birthday of the Grand Duchess, I have proposed "Rienzi," and I hope Tichatschek will sing in our first two performances. The third act will necessarily have to be shortened very much. Fischer and some others even thought that we might omit it altogether.
I received messages of ready acceptance, in the event of my succeeding in founding a German opera season in Paris on a solid basis, from Tichatschek, Mitterwurzer, Niemann the tenor, and also Luise Meyer in Vienna. My immediate and besetting care was then to discover in Paris a suitable man for the task, who would undertake the execution of my plan at his own risk.
It was not until Wolfram's touching song and the closing scene of this act were reached that the audience showed any signs of emotion. Tichatschek wrought such a tremendous effect in the concluding phrase by the jubilant music of his voice that, as I was afterwards informed, the end of this first act left the audience in a great state of enthusiasm.
Oh, my best Herr Heine, if your kindness would only allow you a few words in which to make me acquainted with the intentions of the adored Devrient! Does she really wish to sing in my opera? that is the question. "Good heavens! only to know how all this stands! I have written to Herr Tichatschek, and commended myself to his amiability: shall I be able to count on this gentleman?"
The honorarium of 25 louis d'or which our theatrical exchequer can offer you is very small, but I advise you to accept it, and take it upon myself to get you a small douceur from the Grand Duke's privy purse later on. I should like to have Tichatschek for the first two performances of "Rienzi", although that would increase the expense considerably.
And yet it was never possible to make her understand the proper interpretation of the prayer in the third act, and I felt inclined to say, 'O Solon! Solon! as I had done in the case of Tichatschek, when after the first performance I was obliged to make a considerable cut in this solo, a proceeding which greatly reduced its importance for ever afterwards.
My wife had invited the musicians in whom I took a special interest for this occasion, and they had, with subtle delicacy, chosen the very piece of which I had once spoken with such great emotion. At our party in the evening Tichatschek sang several things from Lohengrin, and really amazed us all by the brilliancy of voice he still preserved.
With Tichatschek, Fischer, Heine, and others of your friends in the orchestra here I talk of you every day. These gentlemen appear well inclined towards me, and take a warm interest in the rehearsals of the "Prometheus" and "Dante" symphonies, which are to be given next Saturday at a concert for the benefit of the Pension Fund of the chorus of the Court theatre.
Tichatschek, the famous Dresden tenor, examined the score, and liked the title role; the chorus director, Fischer, also pleaded for the acceptance of the opera; and so at last Wagner got word in Paris that it would be produced in Dresden. As Berlin, too, retained the manuscript of his other opera, there was reason enough for him to end his Parisian sojourn and return to his native country.
Fortunately I was able to hand him over to Tausig, who understood my embarrassment, and kept Tichatschek to himself pretty well the whole day, by playing cards with him. The young tenor Niemann, of whose great talent I had heard so much, soon arrived with his bride, the famous actress Seebach, and owing to his almost gigantic frame, he struck me as being just the man for Siegfried.
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