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Verocchio's "David," a lad of some seventeen years, has the lean, veined arms of a stone-hewer or gold-beater. As a faithful portrait of the first Florentine prentice who came to hand, this statue might have merit but for the awkward cuirass and kilt that partly drape the figure. The name of Verocchio is best known to the world through the equestrian statue of Bartolommeo Colleoni.
This master, who was born at Verona to a stone-cutter, or, as they say in those parts, a stone-hewer, after having learned the rudiments of painting from Giovanni Caroto of Verona, painted in fresco, in company with the above-named Battista, the hall of the Paymaster and Assessor Portesco at Tiene, in the Vicentino; and afterwards at the Soranza, with the same companion, many works executed with good design and judgment and a beautiful manner.
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