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The ghost of what each man was disappears through the trap-door of his state-room, and the hell which the theatre faintly pictures behind the scenes begins in good earnest. For to what but to Dante's "Inferno" can we liken this steamboat-cabin, with its double row of pits, and its dismal captives? What are these sighs, groans, and despairing noises, but the alti guai rehearsed by the poet?
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