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The original idea of the shadow-demon on p. 201 will be found in Lévi's sacerdotal hand making the sign of esotericism. The four figures of the Palladian urn on p. 313 are plagiarised in a similar way. The illustration on p. 337, which purports to be a gnostic symbol of the dual divinity, is actually the frontispiece to Lévi's Dogme de la Haute Magie.
She stood for a moment gazing vacantly into space. Then she fell to the ground, the shadow of her father hovering over her prostrate form, and the words, "Dead, dead, dead," came to me in horrifying whispers from every dancing shadow-demon in the room. In trying to locate the whispers as they reverberated from floor to oaken rafters, I turned and saw Sir George. He looked as if he were dead.
So black, so horrid was this shadow-demon that I sprang from my chair with a frightful oath, and shrieked: "Hell is made for man because of his cruelty to woman." Sir George had sunk into his chair. Liquor had finished its work, and the old man, resting his head upon his folded arms, leaned forward on the table. He was drunk dead to the world.
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