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Think then of the wondrously fatal love of Siegmund and Siegelinde, of Wotan in his deep, mysterious relation to that love, in his dispute with Fricka, in his terrible self-contention when, for the sake of custom, he decrees the death of Siegmund, finally of the glorious Valkyrie Brynhild, as, divining the innermost thought of Wotan, she disobeys the god, and is punished by him; consider this wealth of motive indicated in the scene between the Wanderer and the Wala, and at greater length in the above-mentioned tale of Brynhild, as the material of a drama which precedes the two Siegfrieds; and you will understand that it was not reflection, but rather enthusiasm, which inspired my latest plan.
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