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No one was admitted but Count Seeau's sister and young Count Seinsheim. I cannot tell you how delighted and surprised all were; but I never expected anything else, for I declare I went to this rehearsal with as quiet a heart as if I had been going to a banquet. Count Seinsheim said to me, "I do assure you that though I expected a great deal from you, I can truly say this I did not expect."

The Elector, in reply to Madame Mara's complaint, said, "Madame, you sang like an angel, although your husband did not accompany you;" and when she wished to press her grievance, he said, "That is Count Seeau's affair, not mine." When they saw that nothing was to be done, they left the room, although she had still two airs to sing.

My hair was in such disorder that I could not go to Count Seeau's till half-past ten o'clock. When I got there I was told that he had driven out to the chasse. Patience! In the mean time I wished to call on Chorus-master Bernard, but he had gone to the country with Baron Schmid. I found Herr von Belvall deeply engaged in business; he sent you a thousand compliments.

There is to be a grand concert this evening, where Mara is to sing three airs. Tell me whether it snows as heavily in Salzburg as here. Munich, Nov. 13, 1780. I WRITE in the greatest haste, for I am not yet dressed, and must go off to Count Seeau's. Cannabich, Quaglio, and Le Grand, the ballet-master, also dine there to consult about what is necessary for the opera.

Next Saturday both acts are again to be rehearsed, but in a spacious apartment in the palace, which I have long wished, as the room at Count Seeau's is far too small. "It must be a life-and-death rehearsal," said Cannabich to me. At the last one he was bathed in perspiration. Cannabich, whose name-day this is, has just left me, reproaching me for discontinuing this letter in his presence.