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J. D. E. Schmeltz of the Leyden Museum, where these "tatu" marks are deposited, and learnt from him that they are indeed actual drawings on paper; there are ninety-two of them, apparently all are different isolated designs, and they are evidently the work of one artist.
The word Enamel is derived from various sources. The Greek language has contributed "maltha," to melt; the German "schmeltz," the old French "esmail," and the Italian "smalta," all meaning about the same thing, and suggesting the one quality which is inseparable from enamel of all nations and of all ages, its fusibility. For it is always employed in a fluid state, and always must be.
One day a Lutheran girl, Emma Schmeltz, said during a Monday morning lunch talk: "Well, anyhow, I believe it's all a probation, and everything'll be made right hereafter. I believe my religion, I do. Yes, we'll be rewarded in the hereafter." Becky Rebecca Lichtenspiel laughed, as did most of the girls. Said Becky: "And there ain't no hereafter. Did you ever see a corpse? Ain't they the dead ones!
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