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The same gallery affords several instances of similar decorative pieces by other Venetian artists which serve admirably to show the great gulf fixed in quality between Giorgione's work and that of the Schiavones, the Capriolis, and others who imitated him. See postea, p. 63. Bellini adopted it later in his S. Giov. Crisostomo altar-piece of 1513.
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