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The piece, Esther, was performed admirably; the singing of the choir of young girls charming, and the petite piece, La Rosiere de Salency, was better still: you know it is a charming thing, and was made so touching as to draw tears from every eye. Mrs. Edgeworth writes: At the time this letter was written rumours that war would break out with England began to be prevalent in Paris. Mr.

Forgive me, my dear Aunt Mary, you begged me to see her with favourable eyes, and I went to see her after seeing her Rosiere de Salency with the most favourable disposition, but I could not like her; there was something of malignity in her countenance and conversation that repelled love, and of hypocrisy which annihilated esteem, and from time to time I saw, or thought I saw through the gloom of her countenance a gleam of coquetry.

Full of the pleasure I had received from the Rosiere de Salency, I was impatient to pay a visit to Madame de Genlis. A few days afterwards we dined with Mr. and Mrs. Scotto, rather a stupid party of gentlemen. After dinner my father called me out of the room and said, "Now we will go to see Madame de Genlis."

Cyr, under the patronage of Madame de Maintenon. Madame de Genlis's beautiful Rosiere de Salency was acted after Esther, and the scene where the mother denounces her daughter, and pushes her from her, was so admirably written and so admirably played, that it made me forget the stage, the actors, and the spectators, I could not help thinking it real.