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It is artistic just in so far as it does not imitate reality but changes the world, selects from it special features for new purposes, remodels the world and is through this truly creative. To imitate the world is a mechanical process; to transform the world so that it becomes a thing of beauty is the purpose of art. The highest art may be furthest removed from reality.
It is only beautiful when man controls and remodels it; but what man makes physically, he can unmake spiritually.
In these latter circumstances lies the imitative essence of the second image: for one leaf does not imitate another nor is each twin the other's copy. Like sensibility, imitation remodels a given being so that it becomes, in certain formal respects, like another being in its environment. It is a response and an index, by which note is taken of a situation or of its possible developments.
They find in the outer world an unalterable sense of reality, and they tend rather naively to accept themselves, their interests and efforts as normal. In their highest forms they are the scientist, reducing to law this tangle of outer realities, or the artist, who though he is a hybrid with deep subjective and objective interest, nevertheless remodels the outer world to his concept of beauty.
The animal system, on the other hand, takes in these compounds, remodels them so far as is required to adapt them to its structure, assimilates them, and then, as occasion requires quires, it releases the concealed force, which then manifests itself in the forms of animal heat, of muscular motion, and of cerebral and nervous power.
And I am vain enough to believe I shall not ever be very far from home so long as I am near to my friend's heart." A mortal man could not but take her in his arms. "Farewell, Duke Alessandro!" then said Eglamore; "farewell, poor clay so plastic the least touch remodels you! I had a part in shaping you so bestial; our age, too, had a part our bright and cruel day, wherein you were set too high.
Here we find him from month to month, with philosophic breadth of thought, treating of animals in their widest relations, or describing minute structural details with the skill of a specialist. He presents organized beings in their geological succession, in their geographical distribution, in their embryonic development. He reviews and remodels laws of classification.
But Nature is not triumphant; she seeks, combines, remodels, dies, and is born again; she is even more convulsed when creating than when all was fusion; Nature suffers, groans, is ignorant, degenerates, does evil; deceives herself, annihilates herself, disappears, and begins again. If God is associated with Nature, how can we explain the inoperative indifference of the divine principle?
Under the light touch of Lucian the supernaturalism of the story is merely that of a fairy-tale, not believed in or meant to be believed; in the Metamorphoses a brooding sense of magic is over the whole narrative. In this spirit he entirely remodels the conclusion of the story.
The rolling oscillating globe dips it for an aeon in growing sea, lifts it from the sinking waters of its thousand year bath to the furnace of the sun, remodels and remoulds, turns ashes into flowers, and divides mephitis into diamonds and breath.
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