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The rich yellow harmony of its tones, and the graceful dignity of its emotion, conveyed no less by a certain Raphaelesque pose and outline than by suavity of facial expression, enable us to measure the distance between this painter and his quasi-pupil Pinturicchio.
Emile Bernard, an admirer, a quasi-pupil of Cézanne's and a painter of established reputation, discoursed at length in the Mercure de France upon the methods and the man. His anecdotes are interesting. Without the genius of Flaubert, Cézanne had something of the great novelist's abhorrence of life fear would be a better word.
The rich yellow harmony of its tones, and the graceful dignity of its emotion, conveyed no less by a certain Raphaelesque pose and outline than by suavity of facial expression, enable us to measure the distance between this painter and his quasi-pupil Pinturicchio.
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