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McLean, lost in a rosy future in which he and Harmony sat together for indefinite periods, with no Peter to scowl over his books at them, a future in which life was one long piano-violin duo, with the candles in the chandelier going out one by one, leaving them at last alone in scented darkness together McLean heard nothing until the mention of the Siebensternstrasse roused him.
The violinist, who turned out to be a Norman, played a solo some music-hall fantasy, I imagine. The next number was the ever popular "Tipperaree," which every single poilu in the French army has learned to sing in a kind of English. Our piano-violin duet hit off this piece even better than the "Merry Widow."
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