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For he was not acquainted with the Funeral March from Chopin's Pianoforte Sonata. His musical education had, in truth, begun only a year earlier with the advertisements of the "Pianisto" mechanical player. He was a judge of advertisements, and the "Pianisto" literature pleased him in a high degree. He justifiably reckoned that he could distinguish between honest and dishonest advertising.

He abode content among rolled carpets, a swathed chandelier, piled chairs, and walls full of pale rectangular spaces where pictures had been. Early that morning, after a brief night spent partly in bed and partly in erect contemplation of his immediate past and his immediate future, he had hurried back to his pianisto and his home to the beings and things that he knew and that knew him.

He bought a Pianisto, and incidentally he bought a superb grand piano and exiled the old cottage piano to the nursery.

He made a deep study of the question of mechanical players, and deliberately came to the conclusion that the Pianisto was the best. It was also the most costly. But one of the conveniences of having six thousand pounds a year is that you need not deny yourself the best mechanical player because it happens to be the most costly.

He was rather surprised and impressed that she had recognized the piece for what it was. But of course she did, as a fact, know something about music, he remembered, though she never touched the Pianisto. "I think it's a pity you can't choose some other evening for your funeral marches!" she exclaimed.

He sat down to the pianisto with a strange and agreeable sense of security. It is true that, owing to the time of year, the drawing-room had been, in the figurative phrase, turned upside down by the process of spring-cleaning, which his unexpected arrival had surprised in fullest activity. But he did not mind that.

The Pianisto was the best, partly because, like the vacuum-cleaner, it could be operated by electricity, and partly because, by means of certain curved lines on the unrolling paper, and of certain gun-metal levers and clutches, it enabled the operator to put his secret ardent soul into the music. Assuredly it had given Edward Henry a taste for music.

His blithe humour ought surely to have been an example to Nellie! And as for the episode of the funeral march on the Pianisto, really, really, the tiresome little thing ought to have better appreciated his whimsical drollery! But Nellie was altered; he was altered; everything was altered. He remembered the ecstasy of their excursion to Switzerland.