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And for the hound that he was who sniffed every one of his models, his Patpong whores, preceding and following his marriage to Noppawan, why, he asked himself should he object to odors? Dogs sniffed, claimed territory by the spills of their urine, and growled at each other, but which of them actually killed one of its kind?

His soul, this odd inexplicable word that may or may not have a physical counterpart beyond the letters of the word, was falling into this alien, colossal structure with its lambent bluish light. He realized that he who had gained his acclaim as a painter of Patpong prostitutes, and had burgeoned from poverty by his dismal themes and color, was all dried up in themes now.

Had all these years of being a celebrated artist of dejected Patpong whores gone to his head to the point where he could not remember having been as impecunious as a mendicant and poorer than the fecundity of dirt?

Deliberately pulling out the former and dropping one of the latter, he showed some of the slides while stuffing a condom back into his wallet. Boi held each of the slides up to the light of the window and squinted. "Well, what do you know? You are an artist. What are these beauties that are your subject matter?" "Ladies of the night. Patpong professionals for the most part." "Beautiful."

Early into his career, he halfway believed that in his studies of the dejected Patpong whores, petrous automatons of suburbia, desperate homeless mendicants blowing bird whistles at pedestrians near the Chao Phraya river pier, and himself, an outsider inside the travail, the torture, the jailhouse of this unjust world, that he would somehow redeem all.