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"So it appears, since they have buried her." "It's all over? When was the funeral?" "The other yesterday. But a funeral you could scarcely call it, signore; it was a dull little passeggio of two gondolas. Poveretta!" the man continued, referring apparently to Miss Tita. His conception of funerals was apparently that they were mainly to amuse the living.
"This evening, Signore; it will be fine for sailing this evening." "If not this evening, another day. A rivederci, Fabiano." "A rivederci, Signore. Buon passeggio." The man went back to his companions, and, as Artois walked on began talking eagerly to them, and pointing after the stranger. Artois did not know what he would do later on in the evening, but he had decided on the immediate future.
In a Holy Family of four figures, we have frequently the Virgin, the Child, and the infant St. John, with St. Joseph standing by. Raphael's Madonna del Passeggio is an example. In a picture by Palma Vecchio, St. John presents a lamb, while St. Joseph kneels before the Infant Christ, who, seated on his mother's knee, extends his arms to his foster-father.
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