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He is a magician, who plays with his magic, and can be gay, out of mere pleasant idleness, fooling with Papagenus as Shakespeare fools in "Twelfth-Night." "Die Zauberflöte" is really a very fine kind of pantomime, to which music lends itself in the spirit of the thing, yet without condescending to be grotesque.
The duet of Papagenus and Papagena is absolutely comic, but it is as lovely as a duet of two birds, of less flaming feather. As the lovers ascend through fires and floods, only the piping of the magic flute is heard in the orchestra: imagine Wagner threading it into the web of a great orchestral pattern! For Mozart it was enough, and for his art, it was enough.
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