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As you pass to-day up the narrow Via Bonella and perceive near the Pantani Arch a few imposing columns and a patch of rather depressing bare wall, it requires much effort to realise that here was once a noble space enclosed by marble-covered walls 100 feet in height, and that those walls contained in a series of niches a gallery of statues of all the military heroes and patriots of Roman history from Aeneas downwards.
Finer and more ornamental varieties of volcanic stone were introduced from a distance, such as the peperino or grayish-green tufa of the Alban Hills, the Lapis Albanus of the ancients, with its glittering particles of mica interspersed throughout its mass; the hard basaltine lava from a quarry near the tomb of Cæcilia Metella, on the Appian Way, and from the bed of the Lago della Colonna, once the celebrated Lake Regillus, to which the name of Lapis Tusculanus or Selce was given; and the Lapis Gabinus or Sperone, a compact volcanic concrete found in the neighbourhood of the ancient Gabii on the road to Tivoli, extensively used in the construction of the earliest monuments, particularly the Tabularium and the huge Arco de Pantani.
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