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Baillot, the violinist, gave a private concert in his honor, in which he in company with Spohr played before an audience made up of such artists and celebrities as Cherubini, Auber, Herold, Adam, Lesueur, Pacini, Paer, Habeneck, Plantade, Blangini, La-font, Pleyel, Ivan Muller, Viotti, Pellegrini, Boïeldieu, Schlesinger, Manuel Garcia, and others.

Each corpuscle receives the termination of one or more nerve fibers. These, on entering, lose the medullary sheath and separate into a number of branches that penetrate the corpuscle in different directions. The largest of the simple forms of sense organs are bodies visible to the naked eye and called, from their discoverer Pacini, the Pacinian corpuscles.

But you must clearly understand that this air is by Pacini; Carthagenova introduces it instead of that by Rossini. This air, Paventa, will no doubt hold its place in the score; it gives a bass too good an opportunity for displaying the quality of his voice, and expression here will carry the day rather than science.

But when we look at the subject more closely, we find in the several fishes provided with electric organs, that these are situated in different parts of the body, that they differ in construction, as in the arrangement of the plates, and, according to Pacini, in the process or means by which the electricity is excited and lastly, in being supplied with nerves proceeding from different sources, and this is perhaps the most important of all the differences.

From door to door he wended his smiling way, here praising the mother's French, there the daughter's Italian. He gained hosts of partisans. "Of course you patronise Pacini!" was in every one's mouth.

Signor Pacini bowed, till his face rivalled, in its hue, the rosy under-waistcoat in which he rejoiced. Schezer stepped forward. He was attired as a mountaineer. His hat tapered to the top, and was crowned by a single heron feather. Hussars might have envied him his moustaches.

Winter's amusements were over, or neglected summer's delights were not arrived; and Signor Pacini conceived, that during the dull and monotonous interval, a speculation of his own might prove welcome to the public and beneficial to himself. To do the little man justice, he was indefatigable in his exertions.

As night drew on, the mimic thunder of carriages hastening to the scene of action, bespoke the Signor's success. After the ninth hour, his numbers swelled rapidly. Pacini assumed an amusing importance, and his very myrmidons gave out their brass tickets with an air. At ten, a rocket was fired. At this preconcerted signal, the pavilion, hitherto purposely concealed, blazed in a flood of light.

"In spite of all, I have never interrupted the study of music." Palestrina. An opera writer of Italy, named Giovanni Pacini, once said that to study the writings of Mozart, Haydn, and Beethoven "lightens the mind of a student, since the classics are a continuous development of the most beautiful and simple melodies," and we sometimes hear it said that great men are they who dare to be simple.

A queen of song who profoundly impressed her age was Giuditta Pasta, born near Milan in 1798, of Hebrew parentage. For her Bellini wrote "La Sonnambula" and "Norma," Donizetti his "Anna Bolena," Pacini his "Niobe," and she was the star of Rossini's leading operas of the time.