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And at the sound of the sacring bell, headed by a crucifer with acolytes, thurifers, boatbearers, readers, ostiarii, deacons and subdeacons, the blessed company drew nigh of mitred abbots and priors and guardians and monks and friars: the monks of Benedict of Spoleto, Carthusians and Camaldolesi, Cistercians and Olivetans, Oratorians and Vallombrosans, and the friars of Augustine, Brigittines, Premonstratensians, Servi, Trinitarians, and the children of Peter Nolasco: and therewith from Carmel mount the children of Elijah prophet led by Albert bishop and by Teresa of Avila, calced and other: and friars, brown and grey, sons of poor Francis, capuchins, cordeliers, minimes and observants and the daughters of Clara: and the sons of Dominic, the friars preachers, and the sons of Vincent: and the monks of S. Wolstan: and Ignatius his children: and the confraternity of the christian brothers led by the reverend brother Edmund Ignatius Rice.
The Olivetans practised this art extensively, and, much as some monasteries had scriptoria for the production of books, so others had carpenter's shops and studios where, according to Michele Caffi, they showed "great talent for working in wood, succeeding to the heirship of the art of tarsia in coloured woods, which they got from Tuscany."
Thus far Villani: to-day S. Miniato, the church, and the great palace built in 1234 by Andrea Mozzi, Bishop of Florence, come to us with memories, not of S. Miniato alone, that somewhat shadowy martyr of so long ago, but of S. Giovanni Gualberto also, of the Benedictines too, and of the Olivetans, of the siege of 1529, when Michelangelo fortified the place in defence of Florence, saving the tower from destruction, as it is said, by swathing it in mattresses; of Cosimo I, who from here held the city in leash. It is the most beautiful of the Tuscan-Romanesque churches left to us in Florence; built in 1013 in the form of a basilica, with a great nave and two aisles, the choir being raised high above the rest of the church on twenty-eight beautiful red ancient pillars, over a crypt where, under the altar, S. Miniato sleeps through the centuries. The fading frescoes of the aisles, the splendour and quiet of this great and beautiful church that has guarded Florence almost from the beginning, that has seen Buondelmonte die at the foot of the Statue of Mars, that has heard the voice of Dante and watched the flight of Corso Donati, have a peculiar fascination, almost ghostly in their strangeness, beyond anything else to be found in the city. And if for the most part the church is so ancient as to rival the Baptistery itself, the Renaissance has left there more than one beautiful thing. For between the two flights of steps that lead out of the nave into the choir, Michelozzo built in 1448, for Piero de' Medici a chapel to hold the crucifix, now in S. Trinit
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