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At Nurpur, Chamba, Kulu and Bilaspur pictures of Krishna had temporary vogues and at all these places artists created new modes of expression. None of the local styles, however, possessed the same prestige as that of Kangra and all were subsequently obliterated by the general Kangra manner.
Basohli artists seem to have carried the style to other states to Guler, Jammu, Chamba, Kulu, Nurpur and Bilaspur but it is not until 1770 that the Krishna theme again comes into prominence.
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