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Nobo was a Japanese woman who bossed the General. She was a square-built person of forty or so who had also been with the family unknown years. Her capabilities were undoubted; as also her faith in them. The hostess depended on her a good deal; and at the same time chafed mildly under her calm assumption that she knew perfectly what the situation demanded. The General took her domination amusedly.
The old man had hoisted his colours over the windmill tower, and now in a frenzy of fervour was marching around and around the tower beating the long roll on his drum. After one such outbreak he would be his ordinary, humble, quiet, obliging, almost deprecating self for another month or so. The ranch people took it philosophically. The fourth institution was Nobo.
One fact in the history of the marble bust of Carey, which since 1845 has adorned the hall of the Agricultural Society of India, would have delighted the venerable missionary. Following the engraving from Home's portrait, and advised by one of the sons, Nobo Koomar Pal, a self-educated Bengali artist, modelled the clay. The clay bust was sent to England for the guidance of Mr.
Nobo could and would tell the General what clothes to wear, and when to change them, and such matters; but she never ventured to inhibit the General's ideas as to going forth in rains, or driving where he everlastingly dod-blistered pleased, or words to that effect, across country in his magnificently rattletrap surrey, although she often looked very anxious. For she adored the General.
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