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Poe disapproved of the undertaking in itself; and only men of undoubted genius have succeeded, whereas writers of hardly more than ordinary talent have occasionally turned off something combining brevity and excellence. I feel sure that Mr. Neihardt talks about this journey more impressively than he writes about it. His love lyrics, in A Bundle of Myrrh, are much better.
Sara Teasdale her poems of love her youth her finished art Fannie Stearns Davis her thoughtful verse Theodosia Garrison her war poem war poetry of Mary Carolyn Davies Harriet Monroe her services her original work Alice Corbin her philosophy Sarah Cleghorn poet of the country village Jessie B. Rittenhouse critic and poet Margaret Widdemer poet of the factories Carl Sandburg poet of Chicago his career his defects J. C. Underwood poet of city noises T. S. Eliot J. G. Neihardt love poems C. W. Stork Contemporary Verse M. L. Fisher The Sonnet S. Middleton J. P. Bishop W. A. Bradley nature poems W. Griffith City Pastorals John Erskine W. E. Leonard W. T. Whitsett Helen Hay Whitney Corinne Roosevelt Robinson M. Nicholson his left hand Witter Bynner a country poet H. Hagedorn Percy Mackaye his theories his possibilities J. G. Fletcher monotony of free verse Conrad Aiken his gift of melody W. A. Percy the best American poem of 1917 Alan Seeger an Elizabethan an inspired poet.
There is such a display of cynical cleverness in the verse of T. S. Eliot that I think he might be able to write almost anything except poetry. He has an aggressive champion in the distinguished novelist, May Sinclair, who says his best work is equal to the best of Robert Browning. John G. Neihardt was born in Illinois on the eighth of January, 1881.
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