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In spite of your own preference for the 'wild freshness of morning' and all the dewdrops hanging on the roses, I must be allowed to assure you that, in my poor judgement, they are improved by this severe revision, and that the judicial style is, like Musidora, when 'unadorned adorned the most. Of that style I think these judgements will be quoted hereafter as masterly specimens.

Over these rose the old forest-trees, the maple, scarred with the wounds which had drained away its sweet life-blood, the beech, its smooth gray bark mottled so as to look like the body of one of those great snakes of old that used to frighten armies, always the mark of lovers' knives, as in the days of Musidora and her swain, the yellow birch, rough as the breast of Silenus in old marbles, the wild cherry, its little bitter fruit lying unheeded at its foot, and, soaring over all, the huge, coarse-barked, splintery-limbed, dark-mantled hemlock, in the depth of whose aerial solitudes the crow brooded on her nest unscared, and the gray squirrel lived unharmed till his incisors grew to look like ram's-horns.

But Major Gideon Withers, for some reason or other, married a slender, sensitive, nervous, romantic woman, which accounted for the fact that his son David, "King David," as he was called in his time, had a very different set of tastes from his father, showing a turn for literature and sentiment in his youth, reading Young's "Night Thoughts," and Thomson's "Seasons," and sometimes in those early days writing verses himself to Celia or to Chloe, which sounded just as fine to him as Effie and Minnie sound to young people now, as Musidora, as Saccharissa, as Lesbia, as Helena, as Adah and Zillah, have all sounded to young people in their time, ashes of roses as they are to us now, and as our endearing Scotch diminutives will be to others by and by.

But Major Gideon Withers, for some reason or other, married a slender, sensitive, nervous, romantic woman, which accounted for the fact that his son David, "King David," as he was called in his time, had a very different set of tastes from his father, showing a turn for literature and sentiment in his youth, reading Young's "Night Thoughts," and Thomson's "Seasons," and sometimes in those early days writing verses himself to Celia or to Chloe, which sounded just as fine to him as Effie and Minnie sound to young people now, as Musidora, as Saccharissa, as Lesbia, as Helena, as Adah and Zillah, have all sounded to young people in their time, ashes of roses as they are to us now, and as our endearing Scotch diminutives will be to others by and by.

Then another, and another, and another. Each movement is so quiet, yet so decided, so living, so human, that the radiant creature seems a Musidora of the water, and you almost blush with a sense of guilt, in gazing on that peerless privacy. As petal by petal slowly opens, there still stands the central cone of snow, a glacier, an alp, a jungfrau, while each avalanche of whiteness seems the last.

Over these rose the old forest-trees, the maple, scarred with the wounds which had drained away its sweet life-blood, the beech, its smooth gray bark mottled so as to look like the body of one of those great snakes of old that used to frighten armies, always the mark of lovers' knives, as in the days of Musidora and her swain, the yellow birch, rough as the breast of Silenus in old marbles, the wild cherry, its little bitter fruit lying unheeded at its foot, and, soaring over all, the huge, coarse-barked, splintery-limbed, dark-mantled hemlock, in the depth of whose aerial solitudes the crow brooded on her nest unscared, and the gray squirrel lived unharmed till his incisors grew to look like ram's-horns.