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As a proof that it existed before the eleventh century, A.D., a curious book called "Teijô Zakki," or the Miscellaneous Writings of Teijô, cites the diary of Murasaki Shikibu, the daughter of one Tamésoki, a retainer of the house of Echizen, a lady of the court and famous poetess, the authoress of a book called "Genji-mono-gatari," and other works.
Not long after the death of his first wife, Prince Toyonari married again, a lady of noble birth named Princess Terute. Very different in character, alas! to the good and wise Princess Murasaki, this woman had a cruel, bad heart. She did not love her step-daughter at all, and was often very unkind to the little motherless girl, saving to herself: "This is not my child! this is not my child!"
*The Genji Monogatari by Murasaki Shikibu, and the Makura Soshi by Sei Shonagon. Japanese Literature, by W. G. Aston. With the Heian epoch is connected the wide use of the phonetic script known as kana, which may be described as a syllabary of forty-seven symbols formed from abbreviated Chinese ideographs.
So the Prince Toyonari and his wife went to the temple of Kwannon at Hase and stayed there for a long time, both daily offering incense and praying to Kwannon, the Heavenly Mother, to grant them the desire of their whole lives. And their prayer was answered. A daughter was born at last to the Princess Murasaki, and great was the joy of her heart.
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