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As may be imagined, the traghetti vary greatly in the amount and quality of their custom. By far the best are those in the neighbourhood of the hotels upon the Grand Canal. At any one of these a gondolier during the season is sure of picking up some foreigner or other who will pay him handsomely for comparatively light service. A traghetto on the Giudecca, on the contrary, depends upon Venetian traffic. The work is more monotonous, and the pay is reduced to its tariffed minimum. So far as I can gather, an industrious gondolier, with a good boat, belonging to a good traghetto, may make as much as ten or fifteen francs in a single day. But this cannot be relied on. They therefore prefer a fixed appointment with a private family, for which they receive by tariff five francs a day, or by arrangement for long periods perhaps four francs a day, with certain perquisites and small advantages. It is great luck to get such an engagement for the winter. The heaviest anxieties which beset a gondolier are then disposed of. Having entered private service, they are not allowed to ply their trade on the traghetto, except by stipulation with their masters. Then they may take their place one night out of every six in the rank and file. The gondoliers have two proverbs, which show how desirable it is, while taking a fixed engagement, to keep their hold on the traghetto. One is to this effect: il traghetto è un buon padrone. The other satirises the meanness of the poverty-stricken Venetian nobility: pompa di servitù, misera insegna. When they combine the traghetto with private service, the municipality insists on their retaining the number painted on their gondola; and against this their employers frequently object. It is therefore a great point for a gondolier to make such an arrangement with his master as will leave him free to show his number. The reason for this regulation is obvious. Gondoliers are known more by their numbers and their traghetti than their names. They tell me that though there are upwards of a thousand registered in Venice, each man of the trade knows the whole confraternity by face and number. Taking all things into consideration, I think four francs a day the whole year round are very good earnings for a gondolier. On this he will marry and rear a family, and put a little money by. A young unmarried man, working at two and a half or three francs a day, is proportionately well-to-do. If he is economical, he ought upon these wages to save enough in two or three years to buy himself a gondola. A boy from fifteen to nineteen is called a mezz' uomo, and gets about one franc a day. A new gondola with all its fittings is worth about a thousand francs. It does not last in good condition more than six or seven years. At the end of that time the hull will fetch eighty francs. A new hull can be had for three hundred francs. The old fittings brass sea-horses or cavalli, steel prow or ferro, covered cabin or felze, cushions and leather-covered back-board or stramazetto, maybe transferred to it. When a man wants to start a gondola, he will begin by buying one already half past service a gondola da traghetto or di mezza et

Almaviva, we are given to understand, on his marriage with Rosina had voluntarily abandoned an ancient seignorial right, described by Susanna as "certe mezz' ore che il diritto feudale," but is desirous of reviving the practice in the case of the Countess's bewitching maid on the eve of her marriage to his valet.

There was no richer man in Venice than Tommaso Tonelli, who had enough on his florin a day; and none younger than he, who owned himself forty-seven years old. He led the cheerfullest life in the world, and was quite a monster of content; but when I come to sum up his pleasures, I fear that I shall appear to my readers to be celebrating a very insipid and monotonous existence. I doubt if even a summary of his duties could be made attractive to the conscientious imagination of hard-working people; for Tonelli's labors were not killing, nor, for that matter, were those of any Venetian that I ever knew. He had a stated employment in the office of the notary Cenarotti; and he passed there so much of every working day as lies between nine and five o'clock, writing upon deeds and conveyances and petitions and other legal instruments for the notary, who sat in an adjoining room, secluded from nearly everything in this world but snuff. He called Tonelli by the sound of a little bell; and, when he turned to take a paper from his safe, he seemed to be abstracting some secret from long-lapsed centuries, which he restored again, and locked back among the dead ages when his clerk replaced the document in his hands. These hands were very soft and pale, and their owner was a colorless old man, whose silvery hair fell down a face nearly as white; but, as he has almost nothing to do with the present affair, I shall merely say that, having been compromised in the last revolution, he had been obliged to live ever since in perfect retirement, and that he seemed to have been blanched in this social darkness as a plant is blanched by growth in a cellar. His enemies said that he was naturally a timid man, but they could not deny that he had seen things to make the brave afraid, or that he had now every reason from the police to be secret and cautious in his life. He could hardly be called company for Tonelli, who must have found the day intolerably long but for the visit which the notary's pretty granddaughter contrived to pay every morning in the cheerless mezz