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Sappho smoking a cigarette went off into the garden with the two young men. Betsy and Stremov remained at the tea-table. "What, bored!" said Betsy. "Sappho says they did enjoy themselves tremendously at your house last night." "Ah, how dreary it all was!" said Liza Merkalova. "We all drove back to my place after the races. And always the same people, always the same. Always the same thing.

And it was not the necessity of concealment, not the aim with which the concealment was contrived, but the process of concealment itself which attracted her. "I can't be more Catholic than the Pope," she said. "Stremov and Liza Merkalova, why, they're the cream of the cream of society.

He was a new admirer of Sappho's. He now dogged her footsteps, like Vaska. Soon after Prince Kaluzhsky arrived, and Liza Merkalova with Stremov. Liza Merkalova was a thin brunette, with an Oriental, languid type of face, and as everyone used to say exquisite enigmatic eyes. Liza was as soft and enervated as Sappho was smart and abrupt. But to Anna's taste Liza was far more attractive.

Stremov was a man of fifty, partly gray, but still vigorous-looking, very ugly, but with a characteristic and intelligent face. Liza Merkalova was his wife's niece, and he spent all his leisure hours with her.

She sealed it up, and, Betsy coming back, in her presence handed the note to be taken. At tea, which was brought them on a little tea-table in the cool little drawing room, the cozy chat promised by Princess Tverskaya before the arrival of her visitors really did come off between the two women. They criticized the people they were expecting, and the conversation fell upon Liza Merkalova.

I told you long ago," he said, turning to Liza Merkalova, "that if you don't want to be bored, you mustn't think you're going to be bored. It's just as you mustn't be afraid of not being able to fall asleep, if you're afraid of sleeplessness. That's just what Anna Arkadyevna has just said." "I should be very glad if I had said it, for it's not only clever but true," said Anna, smiling.

This shrewd man's flattering words, the naïve, childlike affection shown her by Liza Merkalova, and all the social atmosphere she was used to, it was all so easy, and what was in store for her was so difficult, that she was for a minute in uncertainty whether to remain, whether to put off a little longer the painful moment of explanation.

Moreover, Stremov, one of the most influential people in Petersburg, and the elderly admirer of Liza Merkalova, was Alexey Alexandrovitch's enemy in the political world. From all these considerations Anna had not meant to go, and the hints in Princess Tverskaya's note referred to her refusal. But now Anna was eager to go, in the hope of seeing Vronsky.

Tushkevitch came in, announcing that the party were awaiting the other players to begin croquet. "No, don't go away, please don't," pleaded Liza Merkalova, hearing that Anna was going. Stremov joined in her entreaties. "It's too violent a transition," he said, "to go from such company to old Madame Vrede.

The maid begged her pardon for coming in, saying that she had fancied the bell rang. She brought her clothes and a note. The note was from Betsy. Betsy reminded her that Liza Merkalova and Baroness Shtoltz were coming to play croquet with her that morning with their adorers, Kaluzhsky and old Stremov. "Come, if only as a study in morals. I shall expect you," she finished.