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In Attica, too, was early developed a characteristic and closely accurate type of representation of marine forms, and this attained a wider vogue in Southern Italy in the fourth century. Paintings of fish on plates. Italo-Greek work of the fourth century B. C. From Morin. A. Sargus vulgaris. B. Crenilabrus mediterraneus.
But, as Mr Norman Douglas admirably puts it in South Wind, "Enclosed within the soft imagination of the homo Mediterraneus lies a kernel of hard reason. The Northerner's hardness is on the surface; his core, his inner being, is apt to quaver in a state of fluid irresponsibility."
We begin, at last, to apprehend the mischief; we know who is to blame; we are turning the corner. Enclosed within the soft imagination of the HOMO MEDITERRANEUS lies a kernel of hard reason. We have reached that kernel. The Northerner's hardness is on the surface; his core, his inner being, is apt to quaver in a state of fluid irresponsibility.
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