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He saw also over the carved upright piano, life-sized portraits of William of Orange and his English queen, a sight that, for a time, brought England and Holland side by side in his heart.

"We only read the hieroglyphics very hurriedly, being anxious to see what was within the shrine that, the cedar door having rotted away, was filled with fine, drifted sand. Basketful by basketful we got it out and then, my friend, there appeared the most beautiful life-sized statue of Isis carved in alabaster that ever I have seen.

They are beautiful white creatures, still too wild to be approached very nearly; and Sir Edwin Landseer, an old friend of the Earl, has preserved life-sized portraits of two of them on the walls of the lofty dining hall of the castle.

Hardly would the thing have made a wing of the manor house at Chaynes-Wotten. The common or small park before it was shielded from the main thoroughfare by a fence of iron palings, and back of this on either side of a gravelled walk that led to the main entrance were two life-sized stags not badly sculptured from metal.

Ordinarily, a gilded angel strikes the hour on a big bell with a hammer; as the striking ceases, a life-sized figure of Time raises its hour-glass and turns it; two golden rams advance and butt each other; a gilded cock lifts its wings; but the main features are two great angels, who stand on each side of the dial with long horns at their lips; it was said that they blew melodious blasts on these horns every hour but they did not do it for us.

At the time that the Romans came she was finishing a work more ambitious than any which she had undertaken as yet; namely, a life-sized bust cut from the fragment of an ancient column to the likeness of her great-uncle, Ithiel.

It illumined the open door of the bulkhead which walled off the storeroom. And in this doorway, like a life-sized portrait, grotesque and sinister, set in a frame, was the figure of Blackbeard. He advanced into the hold and the cowering stowaways assumed that he had come to search them out.

One had a little dog half hidden in the folds. The arch face of Nell Gwynne smiled over a door, a life-sized Gainsborough of a lady with a straw hat, reclining on a bank of flowers, was conspicuous over one fire-place. There were cavaliers with long, curled hair, gentlemen of a later date in pig-tails; but the most modern of all was a portrait of a boy playing with a large dog.

The ribs and bosses of the vaulting of the room were in faded colours and dull gold. In one corner of the room was an old, dusty, long-neglected harmonium. Against the wall were hanging some wooden figures, large life-sized saints, two male and two female, once outside the building, painted on the wood in faded crimson and yellow and gold.

Hals is more modern than Sargent. These corporation and regent pieces are chronologically arranged. No. 88 is considered the masterpiece. It shows the officers of the Arquebusiers of St. Andrew, fourteen life-sized figures. Again each man is a portrait. This was painted in 1633. The Regents of the Elizabeth Hospital has been likened to Rembrandt's style; nevertheless, it is very Halsian.