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Her voice is itself an instrument of music, and she plays upon it as a conductor plays upon an orchestra. One seems to see the expression marks: piano, pianissimo, largamente, and just where the tempo rubato comes in. She never forgets that art is not nature, and that when one is speaking verse one is not talking prose.
It begins with a broad sweep of the returning rhapsody, the prologue of the symphony, though without the former conclusion. Now it sings in a strong unison of the strings largamente ed appassionato, and with clang of chord in lower brass. The appealing middle phrase is all disguised in strum as of dance. The various strains sing freely in thirds, with sharp punctuating chords.
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