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These two hold-ups, however, turns dep'ty marshals in their old age, an' is put in to stand watch an' watch an' see that Silver Phil don't work loose from his hobbles an' go pirootin' off ag'in into parts onknown. Silver Phil is loaded with fetters, handcuffs an' laig-locks both an' these hold-up sentries is armed to the limit.

He emerges from his reverie with a start; the play comes cl'ar as noonday to him in a moment. "The gyard leaps, without even lookin' 'round, to free himse'f from the clutch of Silver Phil. Which he's the splinter of a second too late. Silver Phil makes a spring like a mountain lion, laig-locks an' all, an' grabs the gun. As the gyard goes clatterin' down sta'rs.

Silver Phil comes out on the roof of a stoop in front. He's got a Winchester by now, an' promptly throws the muzzle tharof on a leadin' citizen. Silver Phil allows he'll plug this dignitary if they don't send up a sport with a file to cut loose the laig-locks. Tharupon the pop'lace, full of a warm interest by this time, does better.

Silver Phil organises, stealthy an' cat-cautious; he's out for the gyard's gun as it hangs from his belt, the butt all temptin' an' su'gestive. "As Silver Phil makes his first move the laig-locks clanks. It ain't louder than the jingle of a brace of copper centouse knockin' together. It's enough, however; it strikes on the y'ear of that thoughtful gyard like the roar of a '44.