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Such are some of the obvious results of a change of date, but the larger question as to the development of Titian's art must be left to the future historian, for the importance of fixing a date lies in the application thereof. Reply by Dr. Georg Gronau. Translated from the "Repertorium für Kunstwissenschaft," vol. xxiv., 6th part
The results of these archivistic researches are being published in the Repertorium für Kunstwissenschaft. For the evidence, see Magazine of Art, April 1893. Meravig, i. 126. See Crowe and Cavalcaselle, ii. 141. Crowe and Cavalcaselle, ibid. ii. 213. We now know that he died in 1510. Crowe and Cavalcaselle, ii. 119. Bode: Cicerone.
Reproduced in Venetian Art at the New Gallery, under Giorgione's name, but unanimously recognised as a work of Licinio. i. 249. Dr. Bode and Signor Venturi both recognise it as Giorgione's work. To what depths of vulgarity the Venetian School could sink in later times, Palma Giovane's "Venus" at Cassel testifies. Repertorium für Kunstwissenschaft. 1896. xix. Band. 6 Heft.
Titian's relations with Giorgione especially could not be otherwise represented than has been long determined, and that whether Titian was born in 1476, 1477, 1480, or even two or three years later. Reply to Dr. Gronau. Reprinted from "Repertorium für Kunstwissenschaft," vol. xxv., parts 1 and 2 I must thank Dr.
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