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And then I realized that it was the chuckling of water under the Kawa's counter as manned by the intrepid Triplett she merrily footed it over the wrinkled sea. Once more the "Kawa" foots the sea. Triplett's observations and our assistance. The death of the compass-plant. Lost! An orgy of desperation. Oblivion and excess. The "Kawa" brings us home. Our reception in Papeete.
After much effort one egg was finally hatched from which was derived the handsome specimen shown in the illustration. The youngster is now doing finely in the Bronx aviary. It was a tragic trio which reassembled on the Kawa's deck as the late afternoon sun spread its golden hand across the lagoon.
Of his important part in connection with the historic cruise described in these pages, the Kawa's owner, Dr. Traprock, has no hesitancy in saying, "Frankly, without Triplett the thing never could have been done." The accompanying photograph was taken just after the captain had been hauled out of the surf in Papeete. But sail! Lord bless you, how Triplett could sail!
This was a long speech for William Henry Thomas; fortunately it was his last. While he was delivering it I heard a slight splash and turned just in time to see a seal-like form slip over the Kawa's counter and disappear. I watched in vain for her reappearance. Doubtless like all Filbertines she could stay under water for hours at a time.
What, indeed, but life itself! I had known my companions for years. We had been class-mates at New Haven when our fathers were working our way through college. How far away it all seemed on that torrid Fourth of July as we sat on the Kawa's deck singing "Oralee", to which we had taught Triplett the bass. "Like a blackbird in the spring, Chanting Ora-lee...."
Whinney and I were surprised to find that the islanders took Swank more seriously than they did either of us. Of course, since the Kawa's forcible entry into the atoll premier honors were Triplett's, but Swank was easily second. The curious reason was that his pictures appealed. I think I have indicated that Swank was ultramodern in his tendencies.
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