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"A tiny object, tremendous labour," Frederick observed, after more than an hour spent in admiring the wonderful workmanship of pieces in the Kamakura and Namban styles, pieces by members of the Goto family extending over centuries, of the Jakushi family, and the Kinai family; pieces of the Akasaka school and the Nara school; pieces from Fushimi in the fifteenth and sixteenth centuries, from Gokinai and Kagonami; glorious sword-guards in the maru-bori, maru-bori-zogan, and hikone-bori styles; pieces of the Hamano family, and so on.
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