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He is a kind friend of mine, but very reserved. I am not merely to write an act for an opera, but an entire one in two acts. The poet has already completed the first act. I think it is to be called "Alexander and Roxana." Madame Jenome is also here. I am about to compose a sinfonie concertante, flute, Wendling; oboe, Ramm; French horn, Punto; and bassoon, Ritter. Punto plays splendidly.
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