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And when time has obliterated his work he may become the legendary Parrhasius of a vanished epoch. To see him in the Prado is to stand eye to eye with the most enchanting realities of art. When a man begins to chatter of his promenades among the masterpieces it may be assumed that he has crossed the sill of middle-age. Remy de Gourmont, gentle ironist, calls such a period l'heure insidieuse.
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