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The first one was Hasjelti, the second was Hostjoghon, the third was Naaskiddi, the fourth one was Hadatchishi. At this strange metamorphosis the youth was greatly alarmed, he dropped his bow and fell to the ground senseless. Hasjelti stood at the east side of the youth, Hostjoghon to the south, Naaskiddi to the west, and Hadatchishi to the north of him.

They did not go to the green, however, but moved off a short distance to rest for a moment and returned. Upon each return the invalid passed down the line on the north side sprinkling each dancer with meal, Hasjelti and Hostjoghon performing with the fawn skin and wands. This dance of four figures was repeated twelve times, each time the dancers resting but a moment.

When the rings had all been rolled out of the lodge Hasjelti entered, followed by Hostjoghon. Hostjoghon then waved his turkey wands about the head and body of the invalid, and the first day’s ceremony was at an end. The construction of the first sweat house, or tachi, was begun at dawn.

Hasjelti passed down the line on the north side and joined Hostjoghon at the east end of the line, both then passing to the west end, where each one endeavored to be the first to stamp twice upon the ground immediately in front of the leading dancer.

Previously, however, three men had prepared themselves to personate the godsHasjelti, Hostjoghon, and Hostjobokonand one to personate the goddess, Hostjoboard. They left the lodge, carrying their masks in their hands, went a short distance away and put on their masks.

The entrance of the invalid into the lodge was a signal for the song-priest to open the chant with the rattle. Hasjelti and Hostjoghon bounded into the lodge hooting wildly. Hostjoghon carried a turkey wand in each hand, and these he waved over the invalid’s head and hooted; this was repeated four times, and each time the gods ran out of the lodge.

It was then just right, and as far as the eye could reach the earth was encircled first with the white dawn of day, then with the blue of early morning, and all things were perfect. Ahsonnutli placed an ear of white corn and Yolaikaiason an ear of yellow corn on the mountain where the fogs meet. The corn conceived, the white corn giving birth to Hasjelti and the yellow corn to Hostjoghon.

The sweat-house priest took from his shoulders a Navajo blanket and spread it near the door a little to the right. A call from one of the attendants was a signal for Hasjelti and Hostjoghon to appear. The two men personating these gods were behind a tree south of the sweat house, their bodies, arms, and legs painted white. Foxskins were attached pendent to the backs of their girdles.

Hostjoghon stepped to the head of the rainbow goddess and taking the small gourd of medicine water dipped the cedar twig into the water and sprinkled the figures, then touched the twig to the feet, heart, and head of each figure, commencing at the male figure to the north and passing south, then beginning with the female figures to the north and passing south.

At the conclusion of the chant Hasjelti and Hostjoghon appeared as on the previous days.