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At first I naturally found his ideas by no means palatable, and felt I could not readily abandon that so-called 'cheerful' Greek aspect of the world, with which I had looked out upon life in my Kunstwerk der Zukunft. As a matter of fact, it was Herwegh who at last, by a well-timed explanation, brought me to a calmer frame of mind about my own sensitive feelings.

I spent these days at the Wesendonck's, where I was well looked after and saw my former acquaintances, Herwegh, Semper, and Gottfried Keller. One of the evenings I spent with them was marked by an animated dispute with Semper over the political events of the time.

Every one who was some one at Zurich was there. A poem by Hoffmann von Fallersleben was telegraphed from Weimar, and at the Princess's request was solemnly read aloud by Herwegh in a strangely altered voice. I then gave a performance, with Frau Heim, of the first act, and a scene from the second, of the Walkure, Liszt accompanying.

It was a pity that this talented man never succeeded in making a name for himself by more important work. His contributions to our monthly journal, during the brief term of his stay in Zurich, were certainly among the best ever written on these topics by a German. In the new year, 1851, Georg Herwegh also joined us, and I was delighted to meet him one day at Kolatschek's lodgings.

I invited all the friends in our circle, including Semper and Herwegh, and Devrient read us the Mark Antony scenes from Shakespeare's Julius Caesar. So happy was his interpretation of the part, that even Herwegh, who had approached the recitation from its outset in a spirit of ridicule, freely acknowledged the success of the practised actor's skilful manipulation.

We now descended vast snow-fields, over which my guide slid with mad haste on his alpenstock; I contented myself with leaning carefully on the iron point of mine, and coming down at a moderate pace. I arrived at Obergestelen dead tired, and stayed there two days, to rest and await the arrival of Herwegh.

He had recently been staying near Meilen on the Lake of Zurich, and he often asked me to visit him there with Herwegh. Here we saw something of the habits and customs of a Hamburg household, which was kept up in a fairly prosperous style by his wife, the daughter of Herr Sloman, a wealthy shipowner.

I had to cover the distance nearly twice over, as, to my astonishment, Herwegh was in such a nervous condition that I had repeatedly to go backwards and forwards, showing him the way up and down before he would decide to follow.

In reply he would mention all sorts of fully matured schemes, which would none of them hold water on closer acquaintance. Herwegh, another friend of longer standing, was less fortunate. I had worried myself for a long time about him too, trying to think that his previous efforts were merely introductions to really serious artistic achievements.

Those almost bewilderingly delightful days, with the inevitable rush of friends and acquaintances, were interrupted by an excursion to the Lake of Lucerne, accompanied only by Herwegh, to whom Liszt had the charming idea of offering a 'draught of fellowship' with himself and me from the three springs of the Grutli.