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Another Roman surgeon, Heliodorus, not only describes the use of the ligature in stopping hemorrhage, but also the practice of torsion twisting smaller vessels, which causes their lining membrane to contract in a manner that produces coagulation and stops hemorrhage.
Of the author himself little appears to be certainly known. Fabricius and other writers have placed him in the "third or fourth" century of our era; but this date will by no means agree with his constant imitations of Heliodorus, who is known to have lived at the end of the fourth and beginning of the fifth century; and Tatius, if not his contemporary, probably lived not long after him.
Pantagruel was taking a nap, slumbering and nodding on the quarter-deck by the cuddy, with an Heliodorus in his hand; for still it was his custom to sleep better by book than by heart. Epistemon was conjuring, with his astrolabe, to know what latitude we were in.
Peter, Heliodorus, Ezechiel, and the whole series of magnificent Old Testament stories on the ceiling of the Loggie. In Raphael we see the perfect fulfilment of the Giottesque programme: he can do all that the first theme inventors required for the carrying out of their ideas; and therefore he can have new, entirely new, themes.
The sweep of one man's idea or fancy through other minds, kindling them to interest, has been typical since communication began. The Greek romances of Heliodorus may be analyzed for their popular elements quite as readily as "If Winter Comes."
But if the "Dispute on the Sacrament" and the so-called "School of Athens," both prior to the paintings of the Sixtine Chapel, seemed to him to be Raffaelle's masterpieces, he felt that in the "Burning of the Borgo," and particularly in the "Expulsion of Heliodorus from the Temple," and "Pope St.
They are all, more or less, indifferent copies either from Heliodorus or Achilles Tatius; the outline of the story being generally borrowed from one or the other of these sources, while in point of style, nearly all appear to have taken as their model the florid rhetorical display and artificial polish of language which characterize the latter.
The source upon which Sidney chiefly drew for incidents was the once famous Amadis of Gaul, but a diligent reading of the other French and Spanish romances of chivalry would probably lengthen the list of recorded creditors. Heliodorus supplies several episodes, and an acquaintance at least can be traced with both Achilles Tatius and Chariton.
Here you may fancy you hear the thundering approach of the heavenly warrior, and the neighing of his steed; while in the different groups who are plundering the treasures of the temple, and in those who gaze intently on the sudden consternation of Heliodorus, without being able to divine its cause, we see the expression of terror, amazement, joy, humility, and every passion to which human nature is exposed.
Dutens and several others who have written upon gems and precious stones during the last two centuries have asserted that the ancients were unacquainted with the true emerald, and that Heliodorus, when speaking nearly two thousand years ago of "gems green as a meadow in the spring," or Pliny, when describing stone of a "soft green lustre," referred to the peridot, the plasma, the malachite, or the far rarer gem, the green sapphire.
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