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"L'Esclave de Camoens" appeared in Paris in 1843; "Stradella," rewritten as an opera, in Hamburg ; "L'Âme en peine," in Paris ; "Martha," in Vienna . The works of his later period, which never equalled his earlier ones in popularity, were "Die Grossfürstin" ; "Indra" ; "Rubezahl" ; "Hilda" ; "Der Müller von Meran" ; "La Veuve Grapin" ; "L'Ombre" ; "Naïda" ; "Il Flor d'Harlem" ; and "Enchanteresse" . Of these later works, "L'Ombre" was the most successful, and was received with favor in France, Italy, Spain, and England, in which latter country it was performed under the title of "The Phantom."
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