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The list of instruments comprises 4 flutes, 3 oboes, 3 clarinets, 2 bassoons, contra-bassoon, 6 horns, 4 trumpets, 3 trombones, tuba, kettle-drums, cymbals, bass-drum, snare-drum, triangle, glockenspiel, gong, harp and strings. The plan of movements is very original and in a way, two-fold.

His orchestra contains the usual modern equipment 3 flutes, 2 oboes, 2 clarinets, an English horn, 3 bassoons, 4 horns, 3 trumpets, 3 trombones, bass tuba, kettledrums, glockenspiel, cymbals, 2 harps, and strings; yet one may count on but little more than the fingers of both hands the pages in which this apparatus is employed in its full strength.

He asked Marco to translate divers questions he wished him to ask the two men. They were questions about the Citadel about the Monchsberg the Residenz the Glockenspiel the mountains. He added one query to another and could not sit still. "The young gentleman will get an ear snipped," said the old man to Marco. "And it will not be my fault." "What shall I do?" Marco was thinking.

It presents first on the left a king who plays a three-stringed gamba, which he holds between his knees, like a violoncello. Then comes a man with a pandean pipe, next another with a semicircular harp and then one with a portable organ. Next to him is a harper, using a plectrum, and at the right end of the group is a pair of players, man and woman, performing on a glockenspiel.

He vows to rescue her, and for that purpose is presented by the ladies with a magic flute, which will keep him safe in every danger, while Papageno, a bird-catcher, who has been assigned to him as companion, receives a glockenspiel. Three genii are summoned to guide them, and the two champions thereupon proceed to Sarastro's palace.

As they arrived early in the day, they had plenty of time to wander about the marvelous little old city. But through the wide streets and through the narrow ones, under the archways into the market gardens, across the bridge and into the square where the "glockenspiel" played its old tinkling tune, everywhere the Citadel looked down and always The Rat walked on in his dream.

In the score of the Second Symphony he calls for six timpani, bass and snare-drums, a high and a low tam-tam, cymbals, a triangle, glockenspiel, three deep-toned bells, in the chief orchestra; besides a bass-drum, triangle and cymbals in the supplementary. In the Eighth Symphony, the instruments of percussion form a little band by themselves.