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The number of such prayers going up to heaven must cause some embarrassment, since money can usually be given to one person only by taking it from another and that other is doubtless praying for more at the very moment. To Kedzie's dismay, when she arrived at the studio and asked for Mr. Ferriday, Mr. Garfinkel appeared.

Garfinkel paid her no further attention except to take a close-up of her standing at a soppy table and drinking a glass of stale beer with a look of desperate pathos. She was supposed to be a slum waif who had never had a mother's care. Kedzie had had too much of the same. The next day was a Saturday. Kedzie did not work. She was lonely for toil, and she abhorred the flat and the neighbors.

Garfinkel with an entreating smile, and was alarmed by the remoteness of his response. He was cold because she was not for him. He led her respectfully to the anteroom of the sacred inclosure where Ferriday was behaving like a lion in a cage, belching his wrath at his keepers, ordering the fund-finders to find more funds for his great picture.

She found him fat and clumsy, and his hands were fat and clammy. Mr. Garfinkel had to show him again. Kedzie could not help murmuring up toward his chin, "I wish I could dance with you instead of him." Garfinkel muttered down into her topknot: "You can, girlie, but not before the camera. There's a reason. How about a little roof garden this evening, huh?" Kedzie sighed, "I'm sorry I can't."

Cobbold reports the case of four simultaneous tapeworms; and Aguiel describes the case of a man of twenty-four who expelled a mass weighing a kilogram, 34.5 meters long, consisting of several different worms. Garfinkel mentions a case which has been extensively quoted, of a peasant who voided 238 feet of tapeworms, 12 heads being found.

"You told me to bring Miss Adair to you as soon as she arrived, and " The lion roared as gentle as a sucking dove. "And this is Miss Adair, is it? Of course it is. Welcome to our little boiler-factory, my dear. Come in and sit down. Garfinkel, get her a chair and then get out. Sit down, child. I never bite pretty girls."

He was very deferential, but he was, after all, only a Garfinkel and she needed a Ferriday. He explained that his chief was very busy and had instructed Garfinkel to teach Miss Adair the science of make-up for the camera, to take test pictures of her, and give her valuable hints in lens behavior. Late in the afternoon Ferriday came in to see the result of the first lesson.

She spent a doleful evening at home with her dour husband and resented him more than ever. On the second day Kedzie was a slum waif and did not like it. She pouted with a sincerity that was irresistible. Mr. Ferriday did not direct the crowd scenes in these pictures. His assistant, Mr. Garfinkel, was the slave-driver. Mr. Yoder cleverly called him "Simon Legree." Kedzie did not know who Mr.

Before Garfinkel could present Dyckman to the great Ferriday, Kedzie made the introduction. Dyckman was already her own property. She had seen him first. Ferriday was jolted by the impact of the great name of Dyckman. He was restored by the suppliant attitude of his visitor. He said that he doubted if he could find the time to direct an amateur picture.

Garfinkel realized that the crowd was sitting up and taking notice, and so he flung Kedzie back to Yoder and proceeded with the picture. He was angry at himself and at Kedzie, but Kedzie was angered at her husband, who was keeping her from every opportunity of advancement. Even as he loafed at home he prevented her ambitions. "The dog in the manger!" she called him.