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See the Marquis Giuseppe Campori's work: Una Vittima della Storia, Lucrezia Borgia, in the Nuova Antologia, August 31, 1866. Frizzi Storia di Ferrara, iv, 205.
Yet it was the rapidly acquired celebrity of the work terminated by Federigo Frizzi that decided Francis I on sending Primaticio to Italy, commissioning him to make a cast of the "Christ" of the Minerva, and to ask Michelangelo to execute a statue for him; also to deliver to him the flattering letter preserved in the valuable collection at Lille.
His discouragement had become such that he had it finished and put up, at the end of 1521, by a Florentine sculptor of the name of Federigo Frizzi. The statue of "Christ," one of the most finished, and displaying most knowledge, that issued from the hands of Michelangelo, is far, to my mind, from equalling other works of the great sculptor.
On the 7th of June Soderini wrote upon the same topic, requesting a design. This Michelangelo sent in October, the execution of the shrine being intrusted to Federigo Frizzi.
He has shortened the fingers of the hands, too, more especially those of the one which holds the cross, the right; Frizzi says, it seems to have been worked by a cake-maker, not carved in marble. It looks as if it had been made by one who worked in dough, it is so stunted.
Michelangelo apparently had already taken measures to transfer the Christ from Urbano's hands to those of the sculptor Federigo Frizzi. This irritated his former friend and workman. "Pietro shows a very ugly and malignant spirit after finding himself cast off by you. He does not seem to care for you or any one alive, but thinks he is a great master.
Michael Angelo transferred the work of finishing from Pietro to Federigo Frizzi. Sebastiano goes on to say: "Pietro is most malignant now that he is cast off by you. He does not seem to value you or any one else alive, but thinks he is a great master; he will find out what he is fast enough, for I believe the poor young man will never know how to make statues. He has forgotten the art.
Frizzi says they seem to have been worked by a biscuit-maker, not wrought in marble, but kneaded by some one used to dough. I am no judge, not being familiar with the method of stone-cutting; but I can tell you that the fingers look to me very stiff and dumpy.
The knees of your statue are worth more than all Rome." Frizzi mended up the mistakes and finished the work on the hair, face, hands, feet, cross, and the parts undercut.
Michelangelo was certainly unfortunate with his apprentices. One cannot help fancying he may have spoiled them by indulgence. Vasari, mentioning Pietro, calls him "a person of talent, but one who never took the pains to work." Frizzi brought the Christ Triumphant into its present state, patching up what "the lither lad" from Pistoja had boggled.
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