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And as he was likewise keen to paint in fresco, with pounded colours, in the manner of the Greeks, which was then the only one known, he refused himself all rest, and gave his apprentices none either.
As regards dragons being called insects, the reader may perhaps remember that the island of S. Giulio, in the Lago d'Orta, was infested with insetti, which S. Giulio destroyed, and which appear, in a fresco underneath the church on the island, to have been monstrous and ferocious dragons; but I cannot remember whether their bodies are divided into three sections, and whether or no they have exactly six legs without which, I am told, they cannot be true insects.
The only traces of former splendour now visible in the Papal pile are the walls and vaults of two small chapels, painted in fresco, so battered and effaced as to be scarcely distinguishable, by Simone Memmi. It offers of course a peculiarly good field for restoration, and I believe the Government intend to take it in hand.
The fresco has suffered much, particularly from the painting, in later times, of draperies round the loins, some of which have been worn or rubbed half off. Almost in the centre is a large stain, outlining the shape of a window, which Signorelli caused to be filled up, and which can still be seen on the outside of the Cathedral.
On the north wall, directly opposite the bishop's throne, there still remains a portion, about 5 ft. 10 in. high and 2 ft. 2 in. wide, of an old fresco painting of that favourite mediæval subject, #The Wheel of Fortune#. This was uncovered when the older pulpit was taken down to make room for Mr. Cottingham's in 1840.
But I observed that she was exceedingly jealous of his society, and no matter how glibly she was talking when I entered, or how indifferent the subject, she would quickly become silent, showing me very plainly by her manner that she would vastly prefer my room to my company. Still, I was not displeased when I perceived this fresco drawing near to its completion.
Then, indeed, after they returned to the hotel, she lost no time in going to her father beyond that which must be given to a long hand-pressure under the fresco of the five poets on the stairs landing, where her ways and Burnamy's parted. She went into her own room, and softly opened the door into her father's and listened. "Well?" he said in a sort of challenging voice.
This great picture was painted in oil instead of in "distemper," the proper kind of mixture for fresco, and therefore it was bound to be lost in the course of time. Besides, it has known more than ordinary disaster. The troops of Napoleon used this room, the convent refectory, for a stable, and that did not do the painting any good.
A modern fresco of Jeanne Hachette, a local Amazon, adorns one of the choir chapels. A modern astronomical clock, with numerous dials, striking figures, and crowing cocks, is placed near the north transept. It might naturally be supposed that in our day the canons of good taste would plead against such a mere "curio" being housed in a noble church.
Opposite to this, in the Chapel of the Company of Stone-cutters, Masons, and Carpenters, dedicated to the four Crowned Saints, he made a Madonna, and the said Saints with the instruments of those trades in their hands, and below, also in fresco, two scenes of their acts, and the Saints being beheaded and thrown into the sea.
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