United States or Ghana ? Vote for the TOP Country of the Week !


The summit of artistic achievement seemed to be reached in the second act, but we are now carried still higher. After the Ride, with its unequalled painting of tempest amongst the rocks and pines, there comes Brunnhilda's glorious chant as she sends off Sieglinda, then her long supplication to Wotan, and finally the sleep and fire-music and Wotan's Farewell.

It was like the fire-music putting Brunnhilde to sleep. But the pipe did not flicker and sink. It seemed to cause a natural relaxation in her soul, a peace. Perhaps it was more like waking to a sweet, morning awakening, after a night of tormented, painful tense sleep. Perhaps more like that.

In such movements as the Finale of the Fifth symphony this continuous murmur does the work done for the piano by the upper strings without dampers and the lower ones when the pedal is pressed down; it gives solidity and colour to the music; and certainly half the effect in fine renderings of "The Flying Dutchman" overture, the Walkürenritt, and the Fire-music, is due to it.

A burning chill shakes your frame, your senses swim and fail; the alarmed heart trembling in your breast hammers to the point of bursting? If you have never felt these things, fear is unknown to you!" The music of fear is a darkened and discoloured fire-music through which we recognise, as if under a disguise veiling something of its beauty, the motif of Brünnhilde's sleep.

With the approach of Siegfried, however, at once the superb artist shows himself: a complete piece made from the fire-music, the bird-music, and Siegfried the hunter's theme is begun, to be interrupted for a while, then resumed and worked up into a glorious thing. The interruption is the scene between Siegfried and his grandfather the Wanderer.

"Look, beloved," says Loge to the unhappy captive, "there lies the world which you think of conquering for your own. Tell me now, what little corner in it do you intend as a kennel for me?" And he dances around him, snapping his fingers to the prettiest, heartlessly merry fire-music. Alberich replies with raving insult.

We have the lulling Sleep theme, and then comes the Fire-music, a thing unmatched and, so far as I know, never attempted in all music.