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The second embraces those writers who were aware of the faults of the school to which they belonged, and who, aiming to bring about a reform in literature, while they endeavored to follow a better style, partook more or less of the character of the age. To this class may be referred Chiabrera already named, and more particularly Filicaja and other poets of the same school.
This is the more remarkable, because Filicaja was the favourite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels is dedicated. The truth is, that Addison knew little, and cared less, about the literature of modern Italy. His favourite models were Latin, his favourite critics were French.
This is the more remarkable, because Filicaja was the favorite poet of the accomplished Somers, under whose protection Addison travelled, and to whom the account of the Travels is dedicated. The truth is, that Addison knew little, and cared less, about the literature of modern Italy. His favorite models were Latin. His favorite critics were French.
At Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja.
"In the first place," said Corinne, "strangers are for the most part acquainted only with our poets of the first rank Dante, Petrarch, Ariosto, Guarini, Tasso, and Metastasio; whilst we have several others, such as Chiabrera, Guidi, Filicaja, Parini, without reckoning Sannazarius, Politian, &c., who have written in Latin, with as much taste as genius; and all unite in their verses the utmost beauty of colouring and harmony; all, with more or less talent, adorn the wonders of nature and art with the imagery of speech.
At Paris, he had eagerly sought an introduction to Boileau; but he seems not to have been at all aware that at Florence he was in the vicinity of a poet with whom Boileau could not sustain a comparison, of the greatest lyric poet of modern times, Vincenzio Filicaja.
Grammar and Rhetoric; the Academy della Crusca, Della Casa, Speroni, and others. 11. Science, Philosophy, and Politics; the Academy del Cimento, Galileo, Torricelli, Borelli, Patrizi, Telesio, Campanella, Bruno, Castiglione, Machiavelli, and others. 12. Decline of the Literature in the Seventeenth Century. 13. Epic and Lyric Poetry; Marini, Filicaja. 14.
We next pass to the life of Guarini, and missing Tasso, whose life Mary Shelley did not write, we come to Chiabrera, who tried to introduce the form of Greek poetry into Italian. Tassoni, Marini, Filicaja are agreeable, but shortly touched on.
Filicaja. Photius, i. 128, who quotes Avitus, 3rd letter, and Ennodius, and Gelasius, Ep. xiii. Photius, i. 126; Hefele, C.G., ii. 596. Jaffé, 371, 372; Mansi, vii. 1097; vii. 1100. Dum scilicet ad Apostolicam Sedem regulariter destinatur, per quam largiente Christo omnium solidatur dignitas sacerdotum.
Walcott's last volume of poems, which were just then exciting considerable interest in the literary world, and she could not help recalling one or two lyrics and sonnets from Uhland, Filicaja, and other Continentals.
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