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You would certainly be satisfied with the progress they all make at each new representation. Fraulein Fastlinger having left our theatre, Frau Knopp Fehringer takes the part of Ortrud. The former having been generally successful, both as a singer and an actress, opinions are divided as to the latter; and you, as the creator of the part, can alone decide which of them is really preferable.
Fehringer, who was afterwards engaged by Liszt for the role of Ortrud in the production of Lohengrin at Weimar, but by that time her powers had greatly deteriorated. Nothing could be more depressing than my connection with this opera under such dismal circumstances. And yet there were no outward signs of failure.
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