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The Prince of Wales had just got married, and invited Haydn to stay with him a few days presumably to cheer him during the honeymoon. So they made music together; Haydn even obliged his hostess by singing with a voice which is said to have been like a crow's. Hoppner painted the portrait which is now in Hampton Court; it was engraved by Facius in 1807.
This artist was distinguished as an engraver of medals and gems. Pupil of her father, Friedrich Wilhelm Facius. Goethe recommended her to Rauch, and in 1827 she went to Berlin to study in his studio. Under her father's instruction she engraved the medal for the celebration at Weimar, 1825, of the jubilee of the Grand Duke Charles Augustus.
Bavo, where Hubert van Eyck had been interred. Karl van Mander, an early writer on Flemish art, was poetically enthusiastic in praise of Margaretha, calling her "a gifted Minerva, who spurned Hymen and Lucina, and lived in single blessedness." A Madonna in the National Gallery in London is attributed to Margaretha van Eyck. <b>FACIUS, ANGELIKA.</b> Born at Weimar. 1806-87.
Interim gravis utrobique et disertus. De Historicis Latinis. Lib. Facius. De Viris Illustribus, p. 57. Flor. Here we see the cause of the error committed by Vossius, Muretus, and a number of historians; not only this phrase of Fazio's, but the manner in which contemporary Florentines thought of and demeaned themselves towards Cosmo de' Medici.
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