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There is hardly a sentence without its 'point', an expression without a vivid fancy. There are unrivalled niceties. The abbot of the Abbatis et eruditae colloquium is a Molière character. It should be noticed how well Erasmus always sustains his characters and his scenes, because he sees them. In 'The woman in childbed' he never forgets for a moment that Eutrapelus is an artist.
But that applies to when there is malice or guilt in him who gives them, as there was in that Eutrapelus of whom Horace speaks, who did good to people in order to give them the means of destroying themselves. His design was evil, but God's design cannot be better than it is.
Whomsoever Eutrapelus had a mind to punish, he presented with costly garments. Do not you at any time pry into his secrets; and keep close what is intrusted to you, though put to the torture, by wine or passion. Neither commend your own inclinations, nor find fault with those of others; nor, when he is disposed to hunt, do you make verses.
Add, besides the wrecks of Caesar's party, the Barbae Cassii, the Barbatii, the Pollios; add the companions and fellow-gamblers of Antonius, Eutrapelus, and Mela, and Coelius, and Pontius, and Crassicius, and Tiro, and Mustela, and Petissius; I say nothing of the main body, I am only naming the leaders.
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